![]() ![]() Above all else, they depict a community that has abandoned fear, replacing it with courage, hope and affirmation. The words and images that fill these pages are testaments to resilience and determination, refusals to give up or give in. “If emotions can be conveyed through movement, then these selections are a dance, a dance of hard-earned joy. “I think it’s cathartic whenever you have the chance to be your authentic self.”Īvailable through Amazon, Fiction Addiction, and Furman’s bookstore, the book extends an invitation, penned by Henderson himself: “Some of the contributors have not been out for very long, so they know what it’s been like for a certain part of their lives having to hide their true or real selves,” Henderson said. Henderson, who came out 43 years ago, believes the book is liberating, not only for its contributors, but perhaps also for those who pick it up. ![]() “It’s diverse in terms of gender expression, sexual orientation, race, age and socioeconomic status.” “It’s not a monolithic community,” he said. Search the place and find what is going on. The place is abandoned, but there are some strange activities in the area. You have crashed an old WW2 fighter plane somewhere in the mountains. Second, Henderson hopes readers get a sense of the many hues that make up the LGBTQ+ population and the arc of perspectives represented in the collection. Voice from Beyond is a short, first-person exploration game. We are here and very much affirmed,” he said, noting the cohort thrives in the Deep South at a university formerly affiliated with the South Carolina Baptist Convention. ![]() Henderson hopes readers will come away with a couple of messages from “Colors.” The first, “Furman has a vibrant LGBTQ+ community. In “Transparent,” Cox writes, “What you see is who I am, and I am what you see.” Likewise, other faculty members, students, staff and alumni fill the pages with their individual and deeply personal struggles, victories, film and music reviews, and other narratives couched in humor, humility, strength and vulnerability. Cox, a transgender man who is a custodian in Facilities Services. Henderson points to a poem contributed by K. Overall, he said, “They’ve been excited and pleased with the reactions from readers because in most cases, these are pieces that come from the very core of their beings.” For others, it represents a welcome foray into creative versus academic endeavors. And for many of the contributors, it’s the first time they’ve seen their name in print. In 2013, Code Red put out a Blu-Ray that you can snag from Diabolik DVD.The collection has already garnered praise, Henderson said. Ripe for a RemakeĪn ensemble cast, something like The Expendables of horror, would be a fantastic contained film with everyone at each other’s throats. That is most likely thanks to effects artist Pino Ferranti, a veteran of films like Umberto Lenzi’s Cannibal Ferox and Bruno Mattei’s Virus. THE Fulci zombie is a great example, but there is no lack of slimy, gory, festering animated carcasses in this film. The nudity in the film is presented in a more European way, without fanfare or focus, and the tight American psyche may find that foul.įulci always has the best corpses filled with maggots. When you open with a sex scene, it is usually because you are compensating for a weak story. Famous Facesįulci is known for making small cameos in his films, mostly as a detective or something of that ilk. There is an alternate or perhaps original artwork for the film that I’m having a hard time finding info or a clear image on, but my eye test tells me it was the legendary Enzo Sciotti who was responsible for it, and now I’m on a mission to track it down because it’s beautiful.įulci dedicated the film to his “…real friends…” which included Clive Barker. The crypt attack is phenomenal, with corpses bursting out of the walls from every direction.įulci’s POV camera work in the opening succeeds in giving a dream-like vision, and it has Raimi written all over it. ![]() The eyeball rice pudding is especially fun, albeit not very realistic looking. There are tons of gross-out scenes that will keep gore hounds satiated. Told mostly in dreams and flashbacks, it has an anthology vibe to it.Įxpanded from a short story Fulci wrote that was published in an Italian periodical, he did a decent job of fleshing out the story. Like a horror version of Knives Out, Fulci’s last directed film sees a wealthy man die with his family by his side, and the inheritance controversy plays out. Let’s dig into 1994’s VOICES FROM BEYOND, directed by Lucio Fulci! As I See It “Voices From Beyond” is a worthy finale to the career of Italian horror master Lucio Fulci, ripe with rank corpses and tense nightmares.Ī wealthy man’s family fights over his inheritance after he dies under suspicious circumstances. ![]()
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